As if willed into existence by our collective despair, Solange surprise-released her fourth album, When I Get Home, final night time proper on the intersection of Black History Month ending and Women’s History Month starting. Her thoughts! Like her earlier, groundbreaking album A Seat at the Table, Home is a wealthy tableau of collaboration, black historical past, and references to her Houston upbringing (the homeward vacation spot implied by the gathering’s title), however the album takes much more experimental dangers along with her sound. Among the combination of artists concerned are Gucci Mane, Dev Hynes, Earl Sweatshirt, Cassie and … a viral Atlanta public-access sexpert? Let’s plunge proper on in to the world of When I Get Home.


It’s not completely clear how quickly after A Seat on the Table Solange broke floor on When I Get Home — she took a while off in 2017 to treat an unspecified autonomic disorder — however precisely one 12 months in the past, she revealed in a Billboard cowl story that she’d been engaged on new music. She talked about writing in Laurel Canyon, Topanga Canyon, and Jamaica, and stated she was “following” Joni Mitchell for inspiration, generally unknowingly: “It has been actually wild. The home that I used to be simply recording in [in] Jamaica, I stayed there for 4 days. And then the final day, the proprietor was like, ‘You know that mural that’s downstairs within the spare bed room that the engineer sales space is in? Joni Mitchell painted that.”

Later within the 12 months, Solange did one other interview for the New York TimesT magazine, the place it was reported that her fourth album would “seemingly arrive into the world totally shaped at some mysterious and sudden second, like a meteor cratering into the tradition” someday that fall. “But she is not going to be rushed,” the piece warned. The album could be “nonetheless very a lot in progress till the very finish,” and it remained untitled on the time of publication. “I like to have the ability to inform the story in 13 other ways, then I wish to edit,” she stated. Though it was unfinished, Solange knew how it will sound, noting that jazz could be at its core — although not completely. She stated digital and hip-hop drum and bass parts would even be current with the intention to make it “bang and make your trunk rattle.”

One once more citing Joni as an affect (for “classes in balancing a profession as a musician with the calls for of visible creation”), she named different muses: director Busby Berkeley, dancer and choreographer Diane Madden, and Vegas theater, for inspiration for her new stay exhibits; Missy Elliott, for visuals; and Aaliyah, Sun Ra, Rotary Connection, and Stevie Wonder’s Journey Through the Secret Life of Plants, for sonic cues. The Times wrote, “The file will probably be heat, she says, fluid and extra sensual than her final one.”


Like A Seat on the Table, Solange gave us little time to organize for When I Get Home, largely as a result of sharing her artwork makes her antsy; drawing out the method would solely make it worse. (“I’ve this concern dwelling in my physique about releasing work,” she instructed the Times. “I don’t know any artist that doesn’t really feel that earlier than they hit the ship button.”) Instead, Solange reemerged on — of all locations — BlackPlanet, bringing again from the presumed useless one of many authentic social-media platforms (predating even Myspace) that was created particularly by and for black individuals. She launched her own page with lyric excerpts and a file of recent photographs, each nonetheless and transferring, that look like items of a bigger visible venture.

They — together with the album’s cowl, one other placing portrait of Solange — have been shot by Max Hirschberger and Alex Marks, inventive directed by Cary Fagan, and styled by Kyle Luu and Mecca James-Williams. Images included a pole dancer (Instagram’s @neyon_tree) and scenes from a ranch, with horses and dancers styled in trendy cowboy appears. Solange had referenced the latter inspiration in an earlier interview as one thing she’d lately taken an curiosity in. “Hundreds and a whole bunch of individuals each weekend are getting on horses and trail-riding from Texas to Louisiana,” she instructed Billboard. “It’s part of black historical past you don’t hear about.”

She later teased what seems to be a music video on her Instagram, instructing followers to dial the quantity 281-330-8004 for extra clues. It’s the very same quantity Mike Jones utilized in his music “Back Then” (“Mike jones four life!” she added within the caption.) She then shared the album’s full 19-song monitor record, with a number of songs named for geographic locales inside Houston. Per her mother, Tina Lawson, it’s a map of Solange’s life: “Binz” (the road the place she grew up); “Almeda” (the road the place she’d get a shrimp po’boy at There’s No Place Like Nola — or Nolas, for brief); “Exit on Scott” (the road the place she’d eat fried hen and beans at Frenchy’s); “Beltway” (take it to get seafood at Pappadeaux); and “S McGregor” (for a “journey down reminiscence lane” on the road the place Debbie Allen and Phylicia Rashad’s father lived and “we jogged on the bayou”).

Later that very same day, Solange formally introduced that When I Get Home would arrive at midnight. “I’m bringing house w me all over the place I’m going yalll and I ain’t working from shit no extra,” she tweeted.


Though Solange undoubtedly sits on the head of her desk, there are others who acquired a chair. When I Get Home is her most experimental work but, the results of large group effort between greater than a dozen artists who’ve been in Solange’s orbit for a while. The album options visitor verses from Gucci Mane (“My Skin My Logo,” on which Solange additionally tries her hand at rapping) and Playboi Carti (“Almeda”); Cassie and Abra are the lone featured ladies, with vocals on “Way to the Show” and “Sound of Rain,” respectively. The remainder of the album consists of repeat manufacturing and vocal contributions from her circle of shut associates: Dev Hynes, Tyler the Creator, Earl Sweatshirt, The-Dream, Pharrell, French artist Chassol (with whom she’s toured), Panda Bear (a.ok.a. Animal Collective’s Noah Lennox), Sampha, and Jamire Williams.

Atlanta producer Metro Boomin can also be introduced into the combination, with manufacturing on “Stay Flo” and vocals on “Almeda.” Gio Escobar, the de facto chief of the “post-genre” New York group Standing on the Corner and an in depth collaborator of Earl Sweatshirt, has a number of manufacturing and composition credit, lending his group’s freewheeling, sample-heavy sound because the album’s connective tissue. The Internet’s Steve Lacy additionally contributed manufacturing, which Solange hinted at when she beforehand instructed the Times that the 2 had been “jamming” collectively. “He’s like, ‘OK, I acquired these chords.’ ‘Hey, papa, let’s go!’” she stated.


While A Seat on the Table was narrated by New Orleans legend Master P and Solange’s private legends, her mother and father, this new album doesn’t have a narrator in that sense. But it’s chopped up by interludes and snippets that contain Houston’s best, particularly specializing in Solange’s heroes of the Third Ward, the place she grew up. Most of them are samples, however even rap titan Scarface makes an authentic one-line particular look for the interlude “Not Screwed!”

“S Mcgregor”
This first interlude samples a clip from the 1987 TV film Superstars & Their Moms, the place Houston’s personal Phylicia Rashad and Debbie Allen recite a poem known as “On Status” written by their mom Vin Ayers-Allen, accompanied by piano: “And now my coronary heart is aware of no delight. I boarded a practice, kissed all goodbye.” The music’s title is a reference to S MacGregor Way in Houston, the place the sisters grew up.

“Can I Hold the Mic”
The intro to this interlude is a pattern of an previous YouTube video of Atlanta rappers Diamond and Princess (from Crime Mob, of “Knuck If You Buck” fame) fake-interviewing one another behind a automobile. It leads right into a spoken-word essay from Solange on the layers of her identification.

“Nothing Without Intention”
The third interlude comes courtesy of a magnificence video from YouTuber Goddess Lulu Belle on the historical past of the cologne Florida Water and its religious properties because it pertains to cleaning. “It’s used to interrupt up adverse power and disperse it,” she says. “Get it out.” She additional clarifies: “Do nothing with out intention as a result of, with out intention, it’s simply plain previous cologne.” Solange brought a bottle of Florida Water as a part of her ensemble ultimately 12 months’s Met Gala; it’s additionally referenced earlier on the album on “Almeda”: “Black religion nonetheless can’t be washed away / Not even in that Florida Water.”

“We Deal With the Freak’n” and “Binz”
The album’s intermission “Freak’n” incorporates a pattern from the viral pussy whisperer Alexyss K. Tylor and her Atlanta public-access show Vagina Power. In the phase, “Sperm Power 2,” Tylor, in a protection of her graphic work, preaches empowerment versus degradation: “I’m attempting to get ladies to grasp the dynamic energy and religious power. Do you understand how magnificent you might be? … We aren’t solely sexual beings. We are the strolling embodiment of god’s consciousness.” In Solange’s model, her phrases are set to a pattern of Rotary Connection’s “Turn Me On”; she beforehand referenced the band as one among her deep influences for this album. Both Tylor and Rotary Connection are sampled once more on “Binz” — utilizing a really transient snippet from her Halloween present combined with “Didn’t Want to Have to Do It” within the outro.

This music depends closely on the Family Circle’s “I Hope You Really Love Me” — its title serves because the inspiration for Solange’s repeated lyric, “Don’t you like me.”

“Exit on Scott”
The second-to-last interlude incorporates a studying of “Poem to Ann #2” from Houston author Pat Parker: “If it have been doable to put you in my mind and allow you to roam round, out and in my thought waves, you’d by no means must ask, ‘Why do you like me?’” (The earlier monitor’s Family Circle pattern is prolonged into it.)

Related Posts

Netflix Is Getting in Formation With a Beyoncé Special

Billboard Defends Lil Nas X’s ‘Old Town Road’ Removal From the Country Charts

How Crazy Ex-Girlfriend’s Creators Gave Rebecca Bunch Her Happy Ending

Watch the How High 2 Trailer, Featuring an Extremely Baked Lil Yachty

Hip-Hop Took a Moment of Silence for Nipsey Hussle This Week

Khalid Takes a Stunning Left Turn on His Sophomore Album Free Spirit